[Genesis Radio HQ] – [March 5th, 2025] – What started as a simple protest for more Dave Mason representation in “March of the Mac” has now spiraled into a full-blown hostage situation as Genesis Radio’s very own Brice has refused to leave the station entrance, launched a citywide flyer campaign, and may or may not be on a hunger strike.

“This is not a drill,” Doc confirmed, barricading himself inside the studio while Brice continued his protest just outside. “Brice is in full Dave Mason Mode. It’s only a matter of time before he starts throwing vinyl copies of ‘Alone Together’ through the windows.”

THE PROTEST GETS OUT OF HAND

Brice’s one-man rebellion has now escalated to an unprecedented level of absurdity, including but not limited to:

🔥 Flyers stapled to every telephone pole in a three-mile radius, each featuring a dramatically edited photo of Dave Mason with the words “REMEMBER HIM, COWARDS.”

🔥 A giant homemade banner hanging from a nearby overpass, reading: “DAVE MASON DESERVES MORE THAN 10 MINUTES.”

🔥 An official-looking press release sent to local news stations, titled: “FLEETWOOD FACTS THEY DON’T WANT YOU TO KNOW.” (It is just 12 paragraphs of Brice ranting about the 1995 ‘Time’ album.)

🔥 A temporary hunger strike, which lasted until someone walked by with a cheeseburger.

🔥 Hijacking Genesis Radio’s request line and only requesting Dave Mason songs under different fake names. (So far, requests have come in from “Dave M.,” “D. Mason,” “Fleetwood Mace,” and “Not Brice.”)

THE HOSTAGE CRISIS BEGINS

At exactly 5:47 PM, Brice stormed into the breakroom, locked himself inside, and declared it “Dave Mason Headquarters.”

• The only music being played inside is Traffic’s greatest hits.
• The station’s snack supply is now under his control.
• DJ Pisces was briefly taken captive but managed to escape after distracting Brice with an “accidental” Mac vs. Eagles debate.

Brice then issued his demands via a handwritten note slid under the studio door, which reads:

“I, Brice Mull, do solemnly swear that I will not surrender until Genesis Radio grants Dave Mason at least ONE (1) dedicated segment during ‘March of the Mac’—preferably a FULL HOUR, but I am open to negotiations (maybe). Until my demands are met, the station will suffer. The vending machine is already under my control. No one is safe.

– Brice, Defender of the Masonverse”

Doc, visibly exhausted, read the letter aloud on air before sighing deeply into the mic.

“This is what happens when you give Brice free time.”

GENESIS RADIO’S RESPONSE – NEGOTIATIONS BEGIN

With the station under siege, Genesis Radio has been forced into negotiations.

Possible compromise solutions currently on the table include:

✔️ One (1) Dave Mason deep cut played during “March of the Mac.”
✔️ A Fleetwood Mac “guest members” segment where Dave Mason is acknowledged (briefly).
✔️ Brice being allowed to say “Dave Mason was in Fleetwood Mac” once per show.
✔️ A temporary ceasefire agreement in which Brice agrees to release control of the breakroom and return the vending machine key.

THE FINAL STAND

As of press time, Brice has doubled down, refusing to leave his “Dave Mason Headquarters” and now playing “We Just Disagree” on repeat at full volume.

Meanwhile, Doc and DJ Pisces are inside the studio, formulating a plan to regain control of the station without allowing Brice to take over the entire “March of the Mac” programming.

“I swear, if we give him one song, he’s going to push for a full Traffic takeover next,” Doc muttered.

For now, Genesis Radio remains on high alert.

Brice shows no signs of surrendering.

And the vending machine remains in lockdown.

GENESIS RADIO: Still Fleetwood Mac. Still Not Traffic. But for how long?

[Genesis Radio HQ] – [March 1st, 2025] – In what was initially seen as a brilliant plan to lighten the workload for Genesis Radio’s overworked IT department, the station has officially taken on IT interns.

And within minutes, it became a complete disaster.

“We thought bringing in some fresh IT talent would help streamline operations, improve system efficiency, and reduce Doc’s stress levels,” said Brice, while watching one intern frantically unplug and replug an Ethernet cable in pure panic.

“Instead, we’ve unleashed absolute hell.”

DAY ONE: THE DESTRUCTION BEGINS

The new IT interns arrived bright-eyed, eager to learn the ropes, and immediately broke everything.

Highlights from their first four hours on the job:

• Intern #1 accidentally deleted the station’s backup playlist, replacing it with an 8-hour loop of elevator music.
• Intern #2 “optimized” the station’s Wi-Fi settings, causing a network failure so catastrophic that even the coffee machine refused to function.
• Intern #3 tried to “fix” the automation system and instead triggered a full-station test of the Emergency Alert System—on-air—at max volume.
• Intern #4 somehow turned the studio lighting into a seizure-inducing rave mode and is still unsure how to undo it.

“It’s like they came in with a checklist of the worst possible things they could do, and they’re just going through it, one by one,” Doc muttered, resetting yet another router.

DAY THREE: TOTAL LOSS OF CONTROL

By day three, the station had descended into complete anarchy.

🚨 The automation system now speaks. No one knows how.
🚨 The vending machine exclusively dispenses tuna cans.
🚨 All Genesis Radio computers now default to playing “Dancing in the Moonlight” on startup.
🚨 The emergency generator was somehow reprogrammed to only power Brice’s desk.
🚨 A mysterious button labeled “DO NOT PRESS” appeared on the main console. An intern pressed it.

“I don’t even know what that button does,” Doc admitted, staring at the screen in horror. “But ever since they pressed it, the playlist has started randomly inserting Nickelback.”

Brice, once fully opposed to the IT interns, has now shifted tactics and is reportedly attempting to recruit them into his ongoing Dave Mason rebellion.

“We need IT people on our side,” he was overheard saying. “I bet we can program an algorithm to auto-insert Dave Mason into every playlist.”

“Brice, get away from them,” Doc snapped.

FINAL STRAW – “THE INCIDENT”

The breaking point came when Intern #2 decided to “improve” the station firewall settings.

The result?

🚨 Genesis Radio went completely off the air. 🚨

For the first time in history, the station broadcasted nothing but silence for six full minutes.

Listeners panicked.

“Is this… a radio station blackout?” one listener asked in the chat.
“I CAN’T HEAR MAC. WHAT’S HAPPENING?!” another screamed.
“This is literally the darkest timeline,” someone else typed.

The station only came back online after Doc sprinted into the server room, manually restarted every system, and, in a fit of pure frustration, physically removed the intern’s hands from the keyboard.

“Internship’s over,” he declared.

GENESIS RADIO ISSUES A FORMAL STATEMENT

Following one of the most catastrophic weeks in station history, Genesis Radio has officially suspended the IT internship program until further notice.

The official station statement reads:

“We regret to inform the public that Genesis Radio’s IT internship program has resulted in severe technological trauma, potential FCC violations, and several existential crises.

At this time, we will be reassessing our approach to hiring interns, preferably those who do not believe ‘hacking the automation system for fun’ is an acceptable pastime.

We thank our listeners for their patience and deeply apologize for any unexpected Nickelback broadcasts. That was not intentional.”

Doc, who is now considering a full-on sabbatical, summed up the experience with the following:

“Next time, we’re just hiring professionals.”

“Or nobody.”

GENESIS RADIO: Hiring IT interns was a mistake. Never again.

[Genesis Radio HQ] – [Feb 28th, 2025] – What was supposed to be a joyous celebration of Fleetwood Mac has taken an unexpected turn as Genesis Radio’s very own Brice has officially staged a protest against “March of the Mac.”

His demand?

More Dave Mason.

“Look, I love Fleetwood Mac as much as the next person,” Brice declared, standing defiantly outside Genesis Radio HQ, holding a homemade sign that reads ‘DAVE MASON DESERVES BETTER.’ “But if we’re gonna do a month-long Mac special, we cannot ignore the fact that Dave Mason was, at one point, technically a member of this band.”

“For, like, five minutes,” Doc countered from inside the studio, refusing to unlock the door.

THE PROTEST ESCALATES

What started as a one-man protest quickly escalated into a full-scale demonstration when Brice:

🔥 Set up a “Dave Mason Awareness” booth outside the station – complete with pamphlets, a boombox playing “We Just Disagree” on repeat, and a suspiciously large amount of Traffic merch.

🔥 Printed t-shirts reading “Fleetwood Who? It’s Dave Time.”

🔥 Started chanting “Let Mason In! Let Mason In!” through a megaphone, causing concern among confused passersby.

🔥 Began offering “FREE DAVE MASON FACTS” to anyone willing to listen. (Fact #4: “Dave Mason was actually in Fleetwood Mac longer than some members of Fleetwood Mac.”)

🔥 Tried to slip Traffic songs into the station playlist. (His account was immediately revoked.)

GENESIS RADIO RESPONDS

Inside the station, Doc and the rest of the Genesis Radio team have remained firm in their stance that “March of the Mac” is about Fleetwood Mac—exclusively.

“This is a Fleetwood Mac event,” Doc said, pushing a barricade of speakers against the studio door in case Brice tried to storm in. “We are here to celebrate Stevie, Lindsey, Christine, Mick, John, and, sure, even the weird ‘90s lineups. But we draw the line at turning this into Dave Mason Month.”

“DAVE MASON WAS A MEMBER OF THE BAND!” Brice shouted through a bullhorn.

“FOR ONE ALBUM, BRICE.”

Despite repeated attempts to bribe the DJs with free coffee, vinyl, and a framed Traffic poster, Brice has so far failed to secure an official Dave Mason segment.

A TEMPORARY COMPROMISE?

With tensions at an all-time high, Genesis Radio staff may be considering a peace offering:

✔️ One (1) Dave Mason song—possibly during a Fleetwood Mac cover segment, if Brice agrees to stop blocking the station entrance.
✔️ A special “Fleetwood Mac’s Strangest Lineups” feature, where Dave Mason is at least mentioned.
✔️ A ceasefire agreement ensuring Brice will not hold Genesis Radio hostage with “Feelin’ Alright” for the next 24 hours.

Will this end the standoff? Or will Brice chain himself to the broadcast console until Dave Mason gets a full hour?

For now, “March of the Mac” continues uninterrupted. But with Brice refusing to back down, this battle may be far from over.

GENESIS RADIO: Still Mac-Only (For Now).

[Genesis Radio HQ] – [February 27th, 2025] – Prepare your hearts, souls, and perfectly timed tambourine shakes—Genesis Radio is launching “March of the Mac,” a dedicated Fleetwood Mac special airing every Friday in March from 9 PM to midnight.

For three glorious hours each week, the airwaves will be taken over by the magic, mystery, and drama of one of the greatest bands in rock history. Doc, the mastermind behind this full-scale Mac Attack, has promised an epic journey through Fleetwood Mac’s vast and emotional discography, covering every era, every twist, and every heartbreak.

“This isn’t just a show,” Doc announced while holding a suspiciously well-worn copy of Rumours. “This is a commitment. A full deep dive into one of the most legendary, chaotic, and musically flawless bands of all time. Every Friday, we’re going full Mac. No regrets.”

WHAT TO EXPECT DURING “MARCH OF THE MAC”

🎶 3 Hours of Fleetwood Mac Every Friday – From early blues to stadium-filling rock, we’re covering it all.

📻 Deep Cuts & Live Performances – We’re talking b-sides, rare recordings, and live renditions that will shake your very soul.

💔 Fleetwood Mac Drama Breakdown – Because no Mac special is complete without discussing legendary feuds, breakups, and makeups that somehow led to even better music.

🥁 The Tusk Experiment™ – A dedicated segment exploring why Fleetwood Mac decided to invite an entire marching band into a rock album and why it absolutely ruled.

🔮 Stevie Nicks Mysticism Corner – DJ Pisces will be attempting to channel Stevie’s spirit live on air (even though she’s still very much alive).

📝 Listener Requests & Mac Stories – Share your Mac memories, favorite songs, and emotional breakdowns over Silver Springs.

👀 Brice’s “Totally Not a Traffic Segment” – In a bizarre twist, Brice has been aggressively lobbying for more airtime dedicated to Dave Mason of Traffic, arguing that since Mason was technically in Fleetwood Mac for five minutes in the 90s, he should be included in March of the Mac.

“He was in the band! It’s fair game!” Brice insists.

“For, like, half an album!” Doc countered.

So far, no ruling has been made, but sources say Doc is one more heated debate away from giving Brice his own Dave Mason Power Hour just to end the argument.

LISTENERS ARE ALREADY LOSING IT

Fleetwood Mac fans are preparing for battle, flooding the station with reactions:

• “This is the best idea since Buckingham & Nicks joined forces.”
• “I will be tuning in religiously.”
• “If you don’t play ‘Sisters of the Moon,’ we riot.”
• “Brice better not try to sneak Traffic into this.”
• “If ‘The Chain’ doesn’t close out the final show, I will personally sue.”

Meanwhile, DJ Barb has openly declared war on anyone who disrespects “Tusk.”

THE RULES OF “MARCH OF THE MAC”

🚫 No skipping Mac songs.
🚫 No questioning the importance of Stevie’s capes.
🚫 No suggesting that ‘Go Your Own Way’ doesn’t slap.
🚫 No complaining about too much Fleetwood Mac. (Impossible.)
🚫 No sneaking in Traffic songs, Brice.

March of the Mac begins Friday, March 7th, at 9 PM sharp.

Whether you’re a die-hard Mac scholar or just someone who accidentally spirals into emotional turmoil whenever you hear Landslide, this is your moment.

Mac is coming. Mac is forever. Mac will be heard.

Genesis Radio: All Mac. No Looking Back. And Probably No Traffic, Either.

[Genesis Radio HQ] – [Feb 21, 2025] – It started as just another late-night system check. Doc, Genesis Radio’s fearless program director and IT overlord, was alone in the server room, making sure the automation system wasn’t planning another coup. The hum of the machines filled the air. The monitors flickered. The station was operating smoothly… or so he thought.

And then, he appeared.

Max. Freaking. Headroom.

The glitchy, grinning, slightly-too-smug digital specter of the 80s suddenly flickered onto every single server screen at once, his perfectly pixelated face smirking back at Doc.

“Buh-buh-buh-buh-buh-buhhhhhh… hello, Doc. Miss me?”

THE VISITATION

Doc, running on three hours of sleep and two energy drinks, stared at the screens in confused horror.

“I… I don’t remember installing this,” he muttered, slowly reaching for the keyboard.

“Oh, Doc, Doc, Doc,” Max chuckled, his head tilting in that trademark, unnervingly jittery way. “I’m not an installation. I’m an interruption.”

The room went ice cold. The monitors flickered faster. The station logs, which were supposed to be tracking recent song plays, had been replaced with an endless stream of binary code spelling out only one phrase:

“THE SIGNAL NEVER DIES.”

Max leaned in closer—or at least, his digital face did.

“Now, now, let’s talk business, Doc. Your little station? It’s got potential. But it’s missing something. Something… ME.”

NEGOTIATIONS WITH A GLITCHED-OUT DEMIGOD

Doc, to his credit, did not immediately flee screaming. Instead, he crossed his arms, trying to reason with the floating embodiment of 80s cyber-chaos.

“Look, I don’t know how you got here, or if I’m even awake right now, but this station runs a tight ship,” he argued. “We can’t just let you hijack the airwaves.”

Max let out a glitchy, stuttering laugh, shaking his head so fast it looked like a VHS tape being fast-forwarded by a caffeinated gremlin.

“Ohhh, Doc. My dear digital disciple. You don’t let Max Headroom in. Max Headroom is already here.”

The monitors glowed brighter. The automation logs started rewriting themselves.

“NOW BROADCASTING: MAXIMUM HEADROOM MODE”

The studio speakers, which shouldn’t have been connected to the server room at all, crackled to life, blasting an eerie synthwave remix of the Genesis Radio jingle.

Somewhere in the distance, Doc swore he could hear the typewriter in the breakroom clicking on its own.

THE ESCAPE

It was at this moment that Doc made a tactical decision.

“I’m not paid enough for this,” he muttered, grabbing the nearest network cable and yanking it out of the wall.

Instantly, the screens flickered and warped, Max’s face glitching into static, his last words echoing through the servers like a corrupted transmission from the beyond:

“T-T-T-T-TEMPORARY INTERFERENCE… I’LL BE BACK… DOC…”

And then, silence.

The automation logs returned to normal. The station kept broadcasting as if nothing had happened. The only evidence of the encounter? A single MP3 file left on the desktop, simply labeled “SEE YOU SOON.MP3.”

Doc shut down the computer. And the lights. And the entire server room.

Then he locked the door.

THE AFTERMATH

The next morning, DJ Pisces found Doc in the breakroom, drinking black coffee like a man who had stared into the abyss and seen it smirk back at him.

“You okay, boss?” she asked.

Doc stared into the middle distance.

“The servers are… fine,” he said finally. “But if you hear the word Headroom over the airwaves…” He paused, rubbing his temples. “Don’t. Say. A word.“

FINAL WARNING

Genesis Radio continues broadcasting as normal. But staff have reported strange occurrences:

The LED lights flicker erratically whenever an 80s song plays.

The automation logs occasionally insert a phantom DJ named “M. HEADROOM” into the schedule.

The station Wi-Fi renamed itself overnight to “MAX-NET_404”.

At exactly 3:33 AM every night, the main broadcast computer briefly displays an error message that says “T-T-T-TUNE IN, DOC.”

Max Headroom may be gone… for now.

But Genesis Radio knows the truth.

The signal never dies.

Genesis Radio: Now with 50% more digital hauntings and a 100% chance Max Headroom is watching.

[Genesis Radio HQ] – [Feb 21, 2025] – The day has finally come. After years of whispered rumors, ignored warning signs, and one too many accidental yodeling remixes, Genesis Radio is officially overhauling its monstrous 30,000+ track music library—a collection so vast, so chaotic, that some say it has developed sentience.

Yes, you heard that right. The files are fighting back.

THE MADNESS BEGINS

For too long, DJs have battled the music library’s cursed archives. DJ Pisces recently attempted to play Pour Some Sugar on Me and instead got a Gregorian chant version sung by what we can only assume is a group of time-traveling monks. DJ Barb discovered Jolene labeled under “Norwegian Death Metal”, which, upon further investigation, turned out to be a horrifying yet oddly compelling remix.

Meanwhile, Doc, Genesis Radio’s program director and the weary guardian of the archives, has been found wandering the server room muttering about mislabeled tracks and vowing vengeance against rogue metadata.

“This is no ordinary cleanup,” he announced grimly, wielding a USB drive like a holy relic. “This is an exorcism.”

THE ENEMY WITHIN

The overhaul process began smoothly… until The Library fought back.

Files vanished and reappeared elsewhere, with one Beatles song somehow duplicating itself into 47 separate locations.
The “Disco” folder mysteriously absorbed half the “Classic Rock” section, creating a cursed fusion genre no one was prepared for.
A file simply labeled “DO NOT OPEN” was found deep in the archives. Its contents? A 17-hour mashup of whale sounds, banjo solos, and distorted Nickelback vocals. It has since been sealed away for the safety of all humankind.
The “Lost Media” folder coughed up a file from 2008 labeled Super Secret Mega Remix.mp3. Brice opened it. No one has seen him since.

NASA has been contacted to confirm whether the Genesis Radio servers have officially become a black hole of cursed audio.

THE BATTLE PLAN

Genesis Radio staff have declared a full-scale war against the corrupted archives, armed with:

Metadata repair tools (to prevent Livin’ on a Prayer from being credited to “DJ Unknown feat. The Gregorian Choir”)
A massive playlist purge (because no, we do not need 18 different versions of Africa)
An emergency IT exorcism team (just in case The Button gets pressed again)
Sacrifices to the hard drive gods, just to be safe

WHAT THIS MEANS FOR LISTENERS

While the battle rages on, listeners may notice:
Random audio glitches, possibly caused by the library actively resisting its cleanup
Sudden bursts of 90s techno in the middle of classic rock blocks
 A rogue file named mystery_song.mp3 that plays something different every time it’s requested
 The possibility that Genesis Radio is now haunted

“We will conquer this madness,” Doc declared, standing atop a stack of external hard drives. “Or we will perish in a sea of mislabeled MP3s.”

Only time will tell which side will prevail. Until then, keep your ears open, your requests cautious, and if you hear yodeling where it doesn’t belong—pray for us.
Genesis Radio: Now with 30,000 songs and at least 10,000 fewer cursed ones.

[Genesis Radio HQ] – For the second time in station history, The Chaos Bus has lived up to its name—by crashing directly into the studio. Again.

The show, which debuted this week in the 4 PM – 7 PM EST slot on Monday, was already known for its unpredictable energy, chaotic banter, and questionable decision-making skills. However, listeners (and staff) were not prepared for yet another actual bus-related disaster.

The incident occurred just before 4 PM, as the hosts of The Chaos Bus attempted to pull up to the station for their daily pre-show ritual: blasting 80s rock and revving the engine like they were in a Fast & Furious sequel no one asked for. Unfortunately, history repeated itself in spectacular fashion when the brakes failed (again), the steering overcorrected (again), and the studio lobby was demolished (again).

Brice, Station Manager & Two-Time Bus Crash Survivor: “This Is My Villain Origin Story”

Station Manager Brice, who was enjoying a moment of peace before the crash, witnessed the disaster unfold in real time.

“I just sat down with my coffee, thinking, ‘Wow, maybe today’s the day we don’t have a full-blown catastrophe.’ And then I heard the engine. And then I saw the headlights. And then I saw my life flash before my eyes,” he said, still gripping what remained of his coffee cup. “I don’t know how much more of this I can take.”

Despite two confirmed bus crashes under his watch, Brice remains committed to keeping the station operational—though sources say he has begun Googling stress therapy techniques and installing emergency eject buttons under his desk.

Doc: “At This Point, I’m Just Building the Station Around the Bus”

Genesis Radio’s resident cybernetic sorcerer and engineer, Doc, was remarkably unfazed by the second impact.

“Look, the first time it happened? Yeah, that was a surprise. This time? I had an incident response plan ready.”

According to Doc, backup generators kicked in instantly, automation continued without interruption, and servers remained untouched—because he moved them after the first crash.

“The only real casualty here? The vending machine. Again.”

Listeners React: “Is This Just Part of the Show Now?”

As news spread that The Chaos Bus had crashed into the exact same spot for the second time, listeners flooded social media with reactions:

“At this point, they need to just park the bus inside and make it the new studio.”

“Are we sure this wasn’t just their way of making a grand entrance?”

“Next time, I fully expect them to crash THROUGH the building and out the other side.”

In an unprecedented move, The Chaos Bus once again broadcasted live from inside the wreckage, spinning a mix of high-energy rock, metal, and absolute carnage, while the hosts casually discussed “brake failure and the importance of hazard insurance.”

Official Station Statement: “We’ve Given Up”

In an official statement, Genesis Radio issued the following update:

“Yes. Again. We know. We’re as confused as you are. Brice is in shambles. Doc is rewiring things as we speak. At this point, we might as well design the next studio with a built-in crash zone. Thanks for listening.”

With The Chaos Bus now officially recognized as both a show and a recurring natural disaster, station leadership has reportedly begun discussing whether future crashes should just be embraced as an annual tradition.

Until then, listeners can tune in every Monday from 4 PM to 7 PM EST—assuming there’s still a building left standing.

[Genesis Radio HQ] – [Feb 11th, 2025] – Well, folks, this is it. After all the apocalyptic metal tracks, doomsday-themed playlists, and late-night rants about the end of the world, Genesis Radio might finally get to broadcast live from ground zero of an extinction-level event.

NASA’s latest tracking data confirms that asteroid 2024 YR4, a cosmic troublemaker roughly the size of a city bus, is on a direct collision course with—of all places—the Genesis Radio studio. That’s right. Out of all the places in the universe, the universe itself has apparently decided that this station is where the chaos should unfold.

Reactions within the Genesis Radio team have ranged from mild concern to full-on celebration.

“Well, if we gotta go, we’re going out LOUD,” said Doc, the station’s program director, while adjusting a playlist to include Raining Blood, The Final Countdown, and Don’t Fear the Reaper. “I just hope the asteroid doesn’t interrupt House Calls. That would be rude.”

DJ Lady B, upon hearing the news, reportedly responded with, “Does this mean I’m off the hook for the metal show?”

While some radio stations might use their final hours for solemn reflection, Genesis Radio is doubling down on what it does best—blasting high-energy tunes and taking requests, even if they’re for songs about impending doom.

Listeners are already calling in with last-minute requests, with top choices including:

It’s the End of the World as We Know It (And I Feel Fine) – R.E.M.
Highway to Hell – AC/DC
Asteroid Blues – The Seatbelts
Burning Down the House – Talking Heads

Meanwhile, Brice Mull, co-station manager, was seen outside looking up at the sky and shouting, “THIS BETTER NOT MESS WITH MY SHOW LINEUP.”

NASA scientists, in a last-ditch effort to reassure the public, have stated that the asteroid might miss Earth entirely, but Genesis Radio is taking no chances. If the worst happens, the station has prepared a backup plan: a 24-hour, automated “Doomsday Mix” featuring only the heaviest metal, the darkest synth, and whatever the hell Crazy Train qualifies as.

Until then, the party continues. Tune in while you can, because either the asteroid misses us, or we’ll be the first radio station to livestream from a smoking crater.

Stay tuned. Or don’t. We might all be space dust by tomorrow.
Genesis Radio: Playing until the very last second… literally.

[Genesis Radio HQ] – In what could be the most unexpected programming shakeup of the year, rumors are swirling that Genesis Radio Station Manager and music maestro Brice Mull may be stepping up to fill in for DJ Pisces on Pisces Playhouse. However, rather than simply continuing the legacy of the beloved show, insiders suggest Brice is considering renaming the time slot to—wait for it—Bricey’s Playhouse.

Reaction from the Genesis Radio staff has ranged from mild amusement to sheer panic.
Pisces’ Mysterious Absence – Enter Brice?

With DJ Pisces needing a fill in if she ever has to step away from the microphone, the solution? Brice Mull, of all people, stepping in.

However, those familiar with Brice’s distinct approach to radio worry that this could be less of a substitution and more of a full-blown hostile takeover.

“Look, I love Brice, but Pisces Playhouse has a certain vibe—a little bit of weird, a little bit of comedy, and a lot of unpredictability,” said one anonymous Genesis staff member.
“Bricey’s Playhouse sounds like an unhinged, DJ-power-trip fever dream, and frankly? I’m both terrified and intrigued.”

Brice’s Vision: A Show Unlike Any Other (For Better or Worse)

When reached for comment, Brice neither confirmed nor denied the rumors, stating only:

“If I’m doing it, I’m doing it my way.”

What exactly “his way” entails remains a mystery, but speculation is running wild:

Less chaos, more structured music debates?
An entire segment dedicated to outlawing Twenty One Pilots requests?
A deep-dive into music trivia, but with severe consequences for incorrect answers?
A live reading of Brice’s 200-page thesis on why Nickelback is unfairly judged?

Despite the uncertainty, one thing is clear: If Bricey’s Playhouse does happen, it will be an experience listeners will never forget—whether they want to or not.
Listeners React: “Do We Even Deserve This?”

As rumors spread, Genesis Radio’s audience has begun weighing in:

“Honestly? I’m here for the chaos. Bring on Bricey’s Playhouse.”
“Pisces Playhouse is the controlled kind of chaotic. I fear what Bricey’s Playhouse could become.”
“If this means a Brice vs. Listeners live debate segment, count me in.”
“I just know there will be a rant about the state of modern music. And I can’t wait.”

Genesis Radio’s Official Statement: “This Is A Bad Idea, Which Means It’s Probably Happening”

In a statement released late Tuesday, Genesis Radio acknowledged the swirling speculation:

“We are aware of the rumors regarding Brice possibly filling in for Pisces Playhouse. We are also aware that giving Brice a completely unchecked three-hour platform is a decision that should not be made lightly. That said, this is Genesis Radio, and we’ve never let ‘bad ideas’ stop us before.”

For now, the fate of Bricey’s Playhouse remains up in the air. Will Brice embrace the chaos and deliver the most unpredictable fill-in show in Genesis history? Or will this idea crash and burn before it even hits the airwaves?

One thing’s for sure: Genesis Radio listeners won’t want to miss this potential radio experiment.

🚨 Tune in (or brace yourself) for further updates! 🚨

Alright, fine. You got me.

I wasn’t going to say anything, but after all these years, it’s time to come clean. Yes, I was behind the Max Headroom Incident of 1986.

For decades, the world has speculated about who hijacked two Chicago television stations that night—WGN-TV and WTTW—interrupting regular programming with a bizarre masked figure spouting cryptic nonsense while being attacked by an offscreen individual with a flyswatter. Theories ranged from rogue hackers to rogue broadcast engineers to, I don’t know, aliens?

But no. It was me.

HOW IT ALL WENT DOWN

Picture it: Chicago, 1986. Big hair, neon lights, and radio was still a force to be reckoned with. But TV? TV had gotten too powerful. It was all “professionalism” this and “high production values” that. There was no room for true broadcast anarchy.

So, like any rational radio afficionado (even though Genesis Radio technically didn’t exist yet, but time is a construct), I decided to level the playing field.

I gathered some very questionable broadcasting equipment, a handful of VHS tapes, and a lot of caffeine. I recruited an accomplice—who shall remain nameless, mostly because I forgot his real name and only knew him as “Weird Dave”—and we found a way to override Chicago’s major TV signals.

And thus, the greatest unsolved media hijacking in history was born.

WHY MAX HEADROOM?

Look, the guy was already weird. The 80s were obsessed with him. He was a glitchy, AI-generated TV personality before AI was even a thing. He was ripe for disruption.

So naturally, I put on a homemade Max Headroom mask, talked in barely coherent riddles, referenced Coca-Cola in ways that probably got me on a watchlist, and threw in some cryptic nonsense about Chuck Swirsky (who I still have nothing against, for the record).

Then came the flyswatter bit. That was Weird Dave’s idea. I still don’t fully understand why he thought that would be the perfect finale, but at that point, we were flying high on stolen TV signals and bad decisions.

THE AFTERMATH: HOW I GOT AWAY WITH IT

First of all, we did not expect it to work. Seriously. We thought maybe a few people would see some static, maybe a flicker, and that would be it.

Instead, it became a legend. News stations covered it. The FCC got involved. People were obsessed with figuring out who did it.

The authorities looked for “elite hackers.” They thought it was some kind of sophisticated cybercrime operation. But in reality? It was just me, Weird Dave, and some repurposed radio equipment held together with duct tape and spite.

For years, I kept quiet. But now? I run Genesis Radio—the most disruptive, anti-corporate, anti-algorithmic radio station on the internet. And if I could pull off the Max Headroom hijack in 1986, what makes you think I wouldn’t still be up to something now?

I’m just saying… if your smart speaker ever randomly starts playing Genesis Radio, don’t ask how.

You already know the answer.